Butler Gallery Presents: When Worlds Collide, Mollie Douthit

Exhibition Opening: January 27th 2024, 3.00 - 5.00pm. All Welcome. Running until 24th March 2024.

Butler Gallery is very pleased to present When Worlds Collide, a solo exhibition of recent work by the Irish-based, USA born artist, Mollie Douthit.

Mollie Douthit explores ideas of intimacy, domesticity and memory in her work. Her paintings celebrate everyday moments and personal experiences where her singular sense of humour prevails. Her paintings of interiors are representations of the sensory and remembered qualities of space and objects sourced from the visual filing cabinet of her mind.

“As works of auto-fiction, the process of painting has developed my awareness of memory’s fragility and truth’s flexibility…. As I develop the work, I try to make an object or space as emotive as it is in my mind. I notice the distance between the actual event and its existence as memory—one operates in the physical world, the other in the mental place; the act of painting bridges these two. Though these memories are my own, I trust that my process of remembering and imagining translates to something universal.” - From Douthit’s Artist Statement on her website.

Over time Mollie has developed a palette distinctly her own, expressing emotion using saturated vibrant colours, reminiscent of technicolour films from childhood. The body of work exhibited is mostly drawn from memories of Mollie’s beloved grandparent’s uniquely designed holiday home, situated on Pelican Lake in Minnesota, where Mollie spent summers as a child in the 1980s and ‘90s. It was a magical world that firmly remains in her mind as a place of hope and love.

In 2022, Mollie met her Swedish husband Arvid and he has had a significant impact on her life, cracking it wide open for her and creating even more overlap in life and work. The relationship has encouraged her to be more open and fluid with her days, something reflective in a number of these new paintings.

Mollie Douthit enjoys a simple quiet life outside Ballydehob, West Cork, where living and working takes place in a studio/home cabin situated down a winding boreen. Here, the closeness of nature provides her with a quality of life that informs her exceptional paintings.

About The Artist

Mollie Douthit (b. 1986) is originally from North Dakota and has resided between Ireland and the US since 2012. She holds a BFA from the University of North Dakota, a Post Baccalaureate from Tufts University, Boston and an MFA from Burren College of Art at National University Ireland, Galway. Major achievements include the 2013 RHA Hennessy Craig award, a solo exhibition at the North Dakota Museum of Art, twice awarded the Elizabeth Greenshields Grant, a 2022 Arts Council Bursary, and 2022 acquisition of three works by the Arts Council, Ireland.

Douthit’s work has featured in publications such as Hyperallergic, The Irish Times, Sunday Times Culture, New American Paintings, and Ilikeyourworkpodcast. Her work has been supported by residencies at the Tony O’Malley residence, Jentel Foundation for the Arts, Tyrone Guthrie Center, Ballinglen Arts Foundation, and Vermont Studio Center.

Recent exhibitions include Tyranny of Ambition, Highlanes Gallery; Cover Versions, RHA; Save the best part, BernBaums, Fargo, North Dakota; and Generation 2022: New Irish Painting, Butler Gallery, Kilkenny. Douthit’s work is represented in many private and public collections including Office of Public Works, Butler Gallery, Dublin Law Society, Fidelity Investments, NUI Galway Arts Office, North Dakota Museum of Art, USA, Arts Council Ireland, Highlanes Gallery, Drogheda. The artist is represented by the Molesworth Gallery, Dublin. www.molliedouthit.com

When Worlds Collide Learning & Public Engagement Events

Artist Talk with Mollie Douthit

Press Articles

Irish Times - "2024 in art: 10 shows to look out for over the next 12 months" by Gemma Tipton

Irish Times - "Mollie Douthit: When Worlds Collide – Wonderful works are visual riches grounded in the literal" by Gemma Tipton

Irish Arts Review Spring Edition (Preview) - 'Bird's eye view' by Margarita Cappock

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